John Adams – The Sequel’s Sometimes Better Than the Original

The Sequel’s Sometimes Better Than the Original

by John Adams

J.T. and Coleman were in a rut. 

Not individual ruts. Individually, they’d never been better. J.T.’s restaurant was actually turning a profit. And Coleman’s ridiculous hours had paid off with a snazzy office and a promise he’d make partner soon.

But collectively, as a unit, neither of them were excited by their marriage anymore. At least, J.T. wasn’t, so he assumed Coleman wasn’t either—though J.T. hadn’t thought to ask. Given his growing boredom, J.T. could hardly blame himself for sometimes messing around with their neighbor, Jeremy. Or that guy from the record store whose name he kept forgetting. Or Coleman’s brother. 

Sure, J.T. was no better than an unneutered dog when it came to marital fidelity. But a dog had to wag its tail. 

Like so many other things in their relationship, their Friday-night trips to the drive-in were always the same, with Coleman falling asleep while J.T. grouchily made junk-food runs. On one such outing, as J.T. paid for the evening’s haul—popcorn, Skittles, Cherry Coke—the pimply clerk asked, “Do you have our new customer-rewards app?”

“Right.” J.T. fumbled for his iPhone. He scrolled through several screens, landing on an icon of the drive-in’s logo. The words ‘REDEEM UPGRADE?’ flashed. “Whatever,” he mumbled, tapping a ‘YES’ button.

“Upgrade in progress,” a female voice droned from the app.

“That’s annoying,” J.T. said, waving the phone.

The clerk grinned. “You have no idea.” She turned to the next customer in line.

J.T. started to interrupt and ask about his ‘upgrade’ but decided it wasn’t worth it. It wasn’t like he or Coleman were going to die of thirst if their medium Cherry Cokes weren’t supersized. Besides, he could hear the film starting.

The movie was one of the myriad Agent Jackson spy flicks Coleman claimed to love yet still managed to sleep through. To J.T., the entire series was just a bunch of overdone car chases, noisy gunfights, and not-quite-risqué-enough sex scenes. Still, though, Bryson Devereaux, the latest actor to take on the Agent Jackson role, was pretty hot; at least J.T. could enjoy the movie for that.

He was halfway back to Coleman’s CRV when the entire lot was thrown into darkness. Every car-side speaker stopped, and the screen went black. J.T. stumbled, temporarily blinded. “What the hell?” he asked his armload of cholesterol. He braced himself for the customary boos that came whenever movies stopped mid-reel. 

No such noise came.

Just as abruptly, the screen lit up again, showing a ruggedly handsome tech-mogul CEO plot world domination with his slobbering Doberman Pinschers. J.T. scowled at the corny dialogue. How long until they got to a shirtless Agent Jackson scene? 

He found his way back to the CRV. Carefully balancing the food in one hand, he opened the passenger-side door and crouched inside. He shut the door—loudly, since Coleman had probably fallen asleep by now—and turned to his husband. “They didn’t have any—” 

J.T. gasped, almost spilling the Cherry Cokes. Coleman wasn’t asleep beside him. Coleman wasn’t beside him at all. The man beside him looked exactly like Bryson Devereaux—the debonair Agent Jackson himself. 

“I… have the wrong car,” J.T. stuttered, face burning.

The man in the driver’s seat gave what People Magazine once dubbed ‘That Million Dollar Wink.’ “Oh, J.T.,” the man said, in a familiar and incredibly sexy Southern drawl. “Stop kiddin’, sweetie.” The man leaned over, grabbed Coleman’s food… and planted a kiss on J.T.’s shocked lips. “Thanks for gettin’ the grub. You’ve been such a patient hubby lately, what with me workin’ such long hours keepin’ the world safe.”

J.T. slowly turned from this man—his ‘hubby’?—and stared ahead. On the movie screen, a spy was briefed about the handsome villain’s threats to overtake the world’s governments. But the spy wasn’t Agent Jackson. No, Agent Jackson was in Coleman’s beat-up CRV. The spy on the screen was Coleman. A very befuddled-looking Coleman.

J.T’s pocket vibrated. “Another upgrade?” a muffled, female voice asked.

Hell, yes, J.T. was taking another Bryson Devereaux-sized upgrade! He yanked out his phone and slammed his finger on the app.

The drive-in lights flashed again—unnoticed, it seemed, by anyone but J.T. 

When the lights came back, his legs were in a different position. He felt lower to the ground, slightly cramped… but oddly comfortable. J.T. was no car expert, but he was pretty sure the old CRV had just turned into a fresh-off-the-lot Lamborghini Veneno. 

He looked at his husband—Agent freakin’ Jackson!—and saw him laughing at the movie, oblivious to the changes. On-screen, the Doberman Pinschers chased a comically inept Coleman away from the CEO’s high-tech lair. 

“Upgrade again?” the app asked.

J.T. rapidly pressed the phone screen—again and again and again. 

Flash! The concession-stand Cherry Cokes were now gin and tonics in crystal glasses. 

Flash! J.T. wore a sleek Brioni Vanquish suit. 

Flash! Flash! Flash! His shoes… his watch… hell, it even felt like his underwear… improved. 

J.T. stared at his phone. “Final upgrade?” the voice asked.

J.T. grinned. “Why quit when you’re ahead?”

He pressed his thumb down.

Flash.

J.T. was crouched on all fours, surrounded by growling dogs. A smirking Coleman stood before him, arm seductively draped around the handsome CEO. Beyond them, in the drive-in lot, Bryson Devereaux laughed from inside a Lamborghini, sipping a cocktail. Beside Bryson, a Doberman Pinscher wagged its tail. 

The credits rolled.

John Adams (he/him/his) writes about teenage detectives, robo-butlers, and cursed cowboys. His publication history includes Australian Writers’ Centre, Bowery Gothic, Dream of Shadows, Fat Cat Magazine, Intrinsick, Metaphorosis, Paper Butterfly, SERIAL Magazine, The Shortest Story/The Story Engine, and Weird Christmas. Forthcoming publications include Gallery of Curiosities, peculiar, and The Weird and Whatnot. His plays have been produced by Alphabet Soup (Whim Productions) and 6×10 Play Festival (Barn Players) and selected for readings at the William Inge Theater Festival and the Midwest Dramatists Conference. He performs across the U.S. with That’s No Movie, a multi-genre improv team. Web: https://johnamusesnoone.com/. Twitter: @JohnAmusesNoOne.